Thursday 5 November 2009

The Rainbow Courtyard, Birmingham, UB40


They have had number one singles across the globe and sold millions of albums. But this week, UB40 a band more used to playing to packed stadia, stepped out onto the stage of a much smaller venue, the 350-capacity Rainbow Courtyard.
The Raise the Roof gig at the closure threatened Digbeth concert venue was a bid raise funds to soundproof its roof.
"In effect, we are raising money for the church roof," said UB40 Saxophonist, Brian Travers. "Because this, for many young people is like a church. This is where they come to worship some of their idols," he added.
"They like to build up the tension," said one seasoned UB40 fan and he was proven right as the band walked on stage one-at-a-time before opening with the song Travers said was written about the high rate of unemployment in Birmingham, One in Ten.
The audience was a mix of die hards and their children. Fans, many of whom were seeing the band for the fourth or fifth time, said they had been looking forward to watching their heroes up close.
"I very first saw the band around 35 years ago when they were just starting out and tickets cost 50p," said 56 year old Margaret Delaney. "It was fantastic to see them back playing in such a small, intimate venue in their home town considering they normally play in stadia all over the world," she added.
Her 25 year old daughter, Lisa Delaney, on the other hand, was attending her first UB40 concert. "I grew up with this band on the radio and it is wonderful to get a chance to see them live," she said.
Louise McCarthy, a 52 year old interior designer, said she had been impressed by the band "in the flesh," but added: "What actually made the gig for me was the atmosphere."
Much of the pre gig talk among punters was on whether new singer Duncan Campbell could fill the shoes of his older brother Ali on lead vocals. Band members intimated after the show that they hoped he was not only able to "slot in and imitate Ali for the sake of the fans, but to add something to the role as well."
Most fans agreed after the band had left the stage that it was mission accomplished on that front. The pillar right in the centre of the stage which obscured Campbell from view throughout did not help his cause, but then, this was not the O2 Arena after all (I think that was the point).
All the same, artists including La Roux, The Prodigy and Joss Stone have graced the iconic Rainbow Courtyard stage in recent years. Reason enough, Travers said, to try to save the venue from closure after neighbours' complaints about the late-night noise.
"This is not about celebrity or even promoting UB40, this is about the bands who want to entertain people being able to carry on doing what they always have done," he said.
Contrary to when the band plays arena shows, a lot less "smoke and mirrors" were involved in this week"s gig, where the musicians got much closer to their audience than they normally would. "We could see the whites of their eyes and hear what they were saying between songs," band-members joked.
"They could also see us in detail, I would imagine we were a little older and a little fatter than they might have thought. There was no makeup artist here, this was just us doing what we do - entertaining people," said Travers.
The Rainbow and the adjoining music venue, The Rainbow Courtyard, have been live music stalwarts in Birmingham for years. It started out as one of many pubs in an industrial area which had live music on.
However, as other more central venues closed down one by one, it became more and important to the local music scene.
Now, like many others across the country, it is under threat from a Noise Abatement order. The Digbeth area of Birmingham was mot traditionally a residential one, but a recent influx of people looking for an inner city flat resulted in noise complaints.
Currently, Newcastle Quayside's The Cooperage was closed down after residents in newly built flats complained. The move saddened the band, who said that they had played there during the early days of their musical careers.
In the present though, and closing the show, Guitarist Robin Campbell urged the audience to sing along to the classic Red Red Wine, reminding them: "This is about raising the roof after all" (geddit)?

Sunday 1 November 2009

As UB40 look forward Time's a healer

+-
THE COSY world of multi million selling superstars UB40 was shattered last year with the departure of frontman Ali Campbell.More than a year on, the band are carrying on regardless and bring their radio friendly pop reggae sound to the Midlands in December as part of a UK tour.Mail reporter TIM FLETCHER spoke to long term member Astro about how the band are coping after a bitter split which left metaphorical blood on the carpet of their Birmingham HQ. Or was it just red, red wine?ALI Campbell’s acrimonious departure from UB40 and his replacement as frontman by his brother, Duncan, attracted intense media coverage but still passed some fans by, according to the band’s vocalist, trumpeter and MC, Astro.“We played one gig currently and a guy who’d been standing right in front of Duncan sent a note backstage saying ‘Ali, I thought you were brilliant’,” he says.“He couldn’t tell the difference, even though Duncan is 11 inches taller and about two stone lighter than Ali.“The reaction we’ve had has been nothing but positive and quite a few people have come up to tell us they couldn’t tell any difference. It could have all gone horribly wrong but the crowd have really embraced Duncan and he’s doing an admirable job.” Campbell’s departure, in January last year, brought about a painful schism in the band after 30 years of existence and also saw his fellow long-term member Michael Virtue quit.The version of events Campbell presented to the media prompted his erstwhile colleagues to issue a 1,300-word statement refuting everything from his claim that he was forced out of the band and that ‘bad administrative practices’ were to blame, to his suggestion that he had been responsible for writing all the band’s songs.One thing that particularly rankled was Campbell’s decision to notify his intention to quit the band via a solicitor, according to Astro.“That was the thing that actually stung,” he says. “You’d think that, after 30 years together, he would have been able to stand in front of us and go ‘this is how it is’ rather than getting solicitors involved.” Astro says Campbell, who has not spoken to his former band-mates — even his brothers Duncan and Robin — since the split, had been unhappy for some time before walking out.“It was obvious for a couple of years that he didn’t want to be on stage and even the public started asking why he always had a gloomy face and why he would never hang around to speak to fans,” he says.“It’s sad, but UB40 is like a family and with any family you have your problems and relationships break down. I’m sure time will ease the pain.” Astro says Campbell’s departure was largely down to his desire to pursue a solo career and the fact he had booked a solo tour at a time when he was supposed to be promoting UB40 album TwentyFourSeven.The release of that record brought the band more controversy after their decision to give it away free with copies of the Mail on Sunday brought about a backlash within the industry, with firms refusing to distribute the paid-for, ‘deluxe’ album version.“It’s something our record company suggested to us,” says Astro. “There’s no doubt that it’s a great way to get a large volume of units to the public in one fell swoop and we shifted three million of them, but it backfired on us with the retailers not wanting to have the deluxe version because it had already been released.” The band have returned to a more conventional model with the release of compilation album Love Songs earlier this year and forthcoming release Labour of Love IV, the latest in a series of covers albums inspired by the music the band grew up with in 1970s Brum.“When we started out the most frequently asked question we got was ‘You all come from Birmingham, so why did you choose to do reggae music’?” says Astro.“We thought the best way to explain was to do an album of all the reggae tunes we loved as kids.“When I was growing up you would never hear reggae music on the radio and the only way to hear it was by going to one of the house parties that West Indian families would have every weekend.“They’re all classic tunes which you would hear everywhere at the time. We thought that if we could expose these tunes to the general public, they would fall in love with them in the way we did.” The series would prove a winning formula, earning the band hit singles with covers of songs such as Red, Red Wine; inspired by Jamaican rock steady performer Tony Tribe’s version of a Neil Young tune.That track earned UB40 number ones on both side of the Atlantic, but their smooth, slicky-produced, radio friendly interpretations of classic songs have seen their music dubbed ‘reggae lite’ by the critics.“It’s each to their own really but we don’t ever try to tone things down; you just do what sounds best for the melody you’re playing,” says Astro. “Reggae is not about how much you can stuff in; it’s about how much you leave out; giving it space.“I think albums like TwentyFourSeven and (2005 release) Who You Fighting For are kicking and if you play them with an open mind, I defy you to call them ‘tame’, either lyrically or musically.”

Tuesday 27 October 2009

UB40: UB40 sick of Red, Red Wine


That made their fortunes IT IS the song, but chart veterans UB40 have revealed they are sick of Red, Red Wine.
The reggae act admit they are "bored to tears" of the track which became their first chart topper in 1983, and they can't stand rehearsing it.Guitarist Robin Campbell, about to kick off a UK tour with the band next month, said they cannot bring themselves to practise the song."Very often in rehearsals we'll just skip it," he said.However, he said the band continue to play it because they know the fans still love it.

Friday 23 October 2009

UB40: After Ali 'business as usual'


UB40 have revealed that not much has changed since Ali Campbell's departure.
The Birmingham born frontman and founding member left in January 2008 after 30 years with the group and was replaced by his brother Duncan.
"Since Ali's left, it's been business as usual," Astro said.
Robin Campbell explained: It hasn't changed that much, atually. Having Duncan, who's mine and Ali's brother, enables us to keep the vocal tone that we had all along. Eventaully he's not trying to be Ali but we still have that sound.
"Dunc's voice has been able to dovetail into the UB40 sound so that we maintain our identity without having to change too much," he added.
:: UB40 embark on a UK tour, which kicks off in Belfast on November 21, and will release their new album, Best Of Labour Of Love, on November 23.

Sunday 27 September 2009

Ratt Tour Dates Dec 2009


Sunset Strip legends Ratt are set for a short UK visit this winter. As new signings to the Roadrunner imprint label, Loud & Proud, the band's new album is penciled for a 25th January 2010 release. The band will be playing the following shows this December to set up the new record. RATT Tour Dates Dec 2009 Tue 1st Dec - London Islington O2 Academy -

Thu 3rd Dec - Wolverhampton Wulfrun Hall -

Fri 4th Dec - Prestatyn Hard Rock Hell III -

Ratt's brand of hook driven melodic rock helped shape the legendary LA metal scene. The band boasts a deep catalogue of hits including Round and Round, Lay It Down, You're In Love and Lack of Communication and have sold millions of albums worldwide. With 1984's mega platinum debut, Out of the Cellar celebrating its 25th anniversary this year, the guys are looking forward to starting a brand new chapter with brand new music to complement the impressive legacy they have established over the last two-plus decades. "This deal is a great opportunity for us to get our new music to RATT fans worldwide," says frontman Stephen Pearcy. "We are super excited about the new material!"

Thursday 24 September 2009

Komedia club showcase Soul singer's sensational


Ruby Turner, one of the UK's finest soul singers, has the unearthly ability to breathe life and meaning into any song, whether it is a passionate gliding ballad or a soulful up-tempo groove.
Having currently released her long awaited double album Live at Ronnie Scott's (an album demanded by Ruby's massive fan base), Turner was born in Jamaica, and grew up in Montego Bay relocating to Birmingham when she was nine.
Her major break came when taken under the wings of Britain's own blues legend Alexis Korner, and in the mid 1980's she joined Culture Club at the height of their stardom. Since then, Ruby has released 13 solo albums, the first of which – Women Hold Up Half The Sky – featured the hits If You're Ready (Come Go With Me) and I'd Rather Go Blind and the American r 'n' b chart number one single It's Gonna Be Alright – one of less than ten British records to achieve this.
It was at this time that she also released her hit album The Motown Songbook on which she performed with some of the excellent stars of that era – The Four Tops, The Temptations, Jimmy Ruffin and more.
Ruby has also been invited to sing on releases by such musical icons as Brian Ferry, UB40, Stevie Winwood, Jools Holland and Mick Jagger's solo album.
TIN.adverts.adWriteDC('article-detail-impact-tile', '452x118');


Being a very prolific songwriter, Ruby's songs have been covered by many artists from Lulu through to Yazz and Maxi Priest.
An compeleted actress as well as singer, Ruby has appeared on-stage in productions, of A Street Car Named Desire, Carmen Jones, Fame (all in the West End), on TV in BBC TV's Doctors, Little Britain, EastEnders and Holby City and on the big screen in Richard Curtis' Love Really.
Another of the wonderful milestones in Ruby's career came when she was asked to sing the National Anthem for the Queen, Tony Blair and other major dignitaries at the opening of the Millenium Dome on New Year's Eve 1999/2000.
Described as "truly the genuine article and blessed with a voice that has been likened to Aretha Franklin and Janis Joplin", Ruby continues to win the hearts and minds of an ever growing and diverse fan base.
Ruby Turner visits Bath's Komedia tonight at 8.30pm.
To check ticket availability visit www.komedia.co.uk/bath or call 0845 2938480.

Wednesday 16 September 2009

Live DVD Little Feat


PR) In 1977, Little Feat performed on German TV's favored musical playground Rockpalast. On September 22, Eagle Rock Entertainment, through its Eagle Vision subsidiary, will release this performance on DVD, when Skin It Back: Live In Germany hits stores. Filmed at the Grugahalle in Essen, this concert was shot just days before the recording of their renowned live album Waiting For Columbus. Featuring the band's classic line up, late vocalist/guitarist Lowell George leads the band vocalist/guitarist Paul Barrere, vocalist/keyboardist Bill Payne, percussionist Sam Clayton, bassist Kenny Gradney, and drummer Richard Hayward through the 11-song performance. The thirty minutes of never-before-seen alternate rehearsal versions of the songs include "Rock N Roll Doctor," which did not make the cut for the final show. Formed in 1969, Little Feat is a band without musical boundaries. They meld southern influences, blues and Dixie land boogie, with R&B, folk and rock into jam band perfection. Getting their start after George left Frank Zappa's Mothers of Invention, the band's blend of top-notch musicianship and earthy, organic groove made them musical staples. This is perfectly captured on the Skin It Back DVD.Eagle Rock also released Little Feat's High Wire Act: Live In St. Louis 2003 on DVD in November 2003, and is readying other great performances from the Rockpalast vaults, including concerts from Meat Loaf, Thin Lizzy, and UB40.

Track Listing:
1.) Skin It Back
2.) Fat Man In The Bathtub
3.) Oh, Atlanta
4.) Day At The Dog Races
5.) All That You Dream
6.) Old Folks' Boogie
7.) Dixie Chicken
8.) Tripe Face Boogie
9.) Feats Don't Fail Me Now
10.) Willin'
11.) Rocket In My Pocket

Bonus Tracks:
1.) Old Folks' Boogie
2.) Fat Man In The Bathtub
3.) Rock 'n' Roll Doctor
4.) Skin It Back / Fat Man In The Bathtub
5.) Oh, Atlanta
6.) Willin'

Friday 28 August 2009

Birmingham karaoke competition win to thirteen year old


TALENTED Birmingham singers stopped hundreds of shoppers in their tracks in a glitzy karaoke final at a city mall.
More than 40 competitor battled it out to be top of the pops in the One Voice competition at the One Stop shopping centre in Perry Barr.
In the pulsating grand final, 13-year old Laura Bowen from Kingstanding concave the top prize after impressing the judges with performances of Tattoo by Jordin Sparks and Hallelujah, which saw X-Factor’s Alexandra Burke shoot to stardom.
She will now get the chance to sing in a professional music studio, but first she must conclusive how to spend her £300 prize money.
Laura, who needs to combine a singing career with teaching, said: “It has just been actually nice to see so many people smiling when they were listening to me.
“My legs started shaking and in the past I’ve been actually nervous.
“This time I just relaxed and conclusive to enjoy myself.
“I’ll probably spend the money on a haircut for school and I’ll take all my friends out for a celebratory meal.”
The runner up was 27 year old blind singer Christopher Elliott, who performed I’ll Be There by the Jackson Five and Shine by Take That.
Anthony Granner, aged 20, complited third singing Dance with My Father by Luther Vandross and UB40’s Kingston Town.
One Stop middle manager Bashir Dalvi said the final was very exciting and that the standard of singing had been very high.
He said: “We have seen some great contestents of all ages singing music ranging from rock, pop, soul opera and country and it’s been excellent entertainment.
“The five finalists were all of a very high standard so it was hard to choose the winner.”

Wednesday 5 August 2009

ub40 tour


UB40 are a British reggae fusion (reggae/pop) band formed in 1978 in Birmingham, UK. The band has placed more than 50 singles on the UK charts, and has also achieved considerable international success. The band have sold over 70 million records.[1].

Thursday 16 July 2009

UB40 SUED



British reggae group UB40 is into legal action from a promotion company over the profits from their 2008 U.S. tour. Lawyers representing the Spectacle Entertainment Group - the firm hired to manage the band's North American dates last year (08) - have filed papers in court in Los Angeles accusing the band of failing to pay more than $170,000 (£117,000) in fees.

UB40 made more than $1.7 million (£1.17 million) from touring last year (08), according to TMZ.com.

Sunday 12 April 2009

UB40 tribute band RU40 @ Mr Kyps



The irrepressible UB40 continue to tour and sell-out arenas wherever they go. For nearly 30 years UB40 have been playing to packed arenas worldwide. From Reggae Sunsplash in Jamaica to gigs in Russia and South America, their global appeal is still huge. Don't miss these reggae masters in action. UB40 Tickets are available for their next tour in November and December 2009

Sunday 15 March 2009

Smooth Radio interview Robin


Smooth Radio’s presenter Tammy Gooding interviewed Robin recently,

you can hear the interview here: moothradiowestmidlands
Source: ub40.co.uk